Jaane Tu Ya Jaane Na and Ada - Initial Reaction

I have been listening to Jaane Tu Ya Jaane Na and Ada since last two days, and here're some of my initial thoughts:


Kabhi Kabhi Aditi is a catchy, light and peppy number. I loved it in the very first listen (on the promos). Although Rashid Ali did a commendable job and his voice suits well to the movie's young and fresh look, I wish Rahman had given this song to Adnan Sami. I think this song belonged to Adnan. (Isn't Rashid Ali's singing seem to have inspired from Adnan?) The rationale behind not using Adana though is probably that they wanted to have a new voice for the new face (i.e. Imran Khan) - at least for this 'opening' song.


Rahman has re-used one of his own tunes for this song. The mukhda of Kabhi Kabhi Aditi is same as the guitar interlude in Mustafa Mustafa song from the movie Duniya Dilwalon Kee. I am actually glad that he has done that (i.e. re-using one of his tunes from the interludes of his own song). There are many song by arr which has wonderful instrumental (or chorus) interludes that can be used to create a mukhda of new song (The violin interlude in Ae Ajnabi, Swarnalatha's humming in Sunta Hai Mera Khuda, chorus from the starting of the song Naheen Saamne etc. etc. etc.)


Jaane Tu Mera Kya Hai conveys the melancholic mood effectively. I liked the version sung by Sukhwinder more than the one sung by Runa Rizvi (which is also very good), mostly because of the opening music/tempo and the operatic chorus in the background that takes it to another level.


Pappu Can't Dance has a very catchy tune and feet-tapping beats. However, I don't think it's gonna be one of those songs that I will yearn to hear in a way I feel about most (or at least, so many) of arr's songs.


Abbas Tyrewala has done a good job as a first time lyricist (His earlier work includes dialogues for Munnabhai M.B.B.S.). I really liked that he used the immortal lines 'Papa Kehte Hain Bada Kaam Karega', giving a nod to Aamir Khan's first movie: Qayamat Se Qayamat Tak. (JTYJN is Aamir's nephew Imran's first movie.)


Moving on to the other album released simultaneously with JTYJN - Ada.


Rashid Ali's pronunciations in Ishq Ada sounded a bit weird to me. I think he tried to add an Arabic/Middle-Eastern element to the song - the lyrics, heavy on Urdu words, also confirms this (I hope there's some relevance to that in the movie.)


All songs except Ishq Ada and Meherbaan are written by Nusrat Badr. I was excited to see his name on album cover because I loved his work in Devdas (after which he almost disappeared). But honestly, I didn't find anything extraordinary in his lyrics this time.


Gumsum Gumsum sounds infinitely ordinary (by arr standards). If Ada is a musical journey by arr, then this surely is the worst destination. Tu Mera also belong to the same category. (The lines 'Jise Chaha Mil Gaya' sung by Chitra reminded me - both lyrically and musically - of similar lines 'Tu Mujhko Mil Gaya' from Tera Jaadu Chal Gaya. Vague similarity, though.)


Meherbaan is wonderful and instantly likable. Hai Dard and Milo Wahan Wahan both are, for the lack of better word, interesting - both in structure and sound, very unlike-Rahman, I think (and hope, even more so) these ghazal-like songs has some 'growth potential'. Rahman has rarely used Sunidhi before (in fact, only once in Nayak) who joins Sonu Nigam in Gulfisha - another song that didn't really impress me.


Overall I am disappointed with Ada, and enjoyed JTYJN. As it's universally known, arr's songs (specially the "heavy", deep and long-lasting ones) need repeated hearings and some time to grow on you. Being an ardent arr fan, I hope that it will happen this time too, and my initial assessments will be proven wrong. But deep down, I am skeptical!

Jodha Akbar Music Review

After a long wait and unexpected delays, here comes the latest offering from A. R. Rahman (aka arr).

The album opens with Azeem-O-Shaan Shahenshah which will virtually take you right to the battlefield! Bugles, heavy drums and percussion, chorus that sounds much like a war-cry, all together create such an environment that makes your feet tapping and your heart beating with an adrenalin rush. Wait till you hear the mind-blowing percussion before the second antaraa. Also, the progression from "Chan Chanan Nan Nan" to "Marhaba Ho Marhaba" is really catchy. A perfect introductory song for the mighty Emperor Akbar. "Jeetna Kahen Hum, Utna Kam Hai; Tehzeebon Ka, Tu Sangam Hai.". Akbar's efforts to bring two cultures together, are aptly captured in words here by Javed Akhtar. 

• One thing I am a little confused about is: how the King is addressed as "Tu" in this song, as in "Tu Shaan-E-Hindustan". When it comes to showing respect, Urdu language is actually very particular about the emphasis on politeness (called takalluf or aadaab). Addressing someone, who is not extremely intimate, as "Tu" is considered informal and even derogatory. [source]

Jashn-E-Bahaara stole my heart at the first listening. Javed Ali is at his best. Lyrics by Javed saab are just awesome. The opening words "Kehne Ko" adds very imaginative irony to the fact that love is considered a joyous celebration, but love itself is bemused ("Ishq Yeah Dekh Ke Hairaan Hai") by that because there seem to be many shades of pain along with the colors of joy ("Chhupa Hai Koi Ranj Fiza Ki Chilman Mein"). I think this song has all the ingredients and potential to work very well with the masses.

• The lines "Ishq Yeah Dekh Ke Hairaan Hai" reminded me of Gulzar's "Aye Hairat-E-Aashiqui" from Guru. 
• Also, the starting chords (some Arabic/Persian version of acoustic guitar?) of this song sounded somewhat similar to the lines "Tinak Tinak Tin Tara" from "Imli Ka Boota" song from Saudagar movie (Music was by Laxmikant Pyarelal). The tunes are not identical though, there's a vague similarity, which I am pretty sure, is totally accidental.

Arr has always wowed me with his Sufi Qawwali type songs: "Piya Haji Ali" from Fiza, "Noor-Un-Ala-Noor" from Meenaxi, "Zikr" from Bose, and "Al Maddath Maula" from Mangal Pandey. Here's one more which belongs to that "Sufi cannon" of arr gems, Khwaja Mere Khwaja. Although, I have to confess that this song didn't leave a lasting impression on me (when I compare it with the other songs mentioned above) from first few hearings, I am pretty sure that this song will grow on me slowly, like an aged wine! 

• This qawwali is very well suited for this movie, especially because Akbar was a devout bhakt of Khwaja Moinuddin Chisti. [source] 
• Arr seem to be working hard on his Hindi pronunciations, as it seem to improve with each Hindi song he sings. However, there are some flaws, like how he pronounces chhaaya for example, that I am not sure if it's because of his singing style, or because of the fact that his native language - Tamil - alphabet, lacks the letter chh.)

Add Mira's devotion and pang of separation to Radha's passion for Kanha and you get the recipe for the next devotional song (bhajan) Mann Mohana. Bela Shende's pleasant voice is very well suited for this bhajan. The set-up of this song and minimalist musical arrangement is pretty similar to the songs from Water.

My pick from the album would be In Lamho Ke Daaman Mein - probably because I am partial to Sonu's honeydew voice and flawless pronunciations and also to arr's knack for fusion songs. How wonderfully arr has combined Javed saab's Urdu poetry, with Arabic instruments and style, with Hindustani classical alaaps in between, with choir-ish interludes! I loved the part where Sonu sings along with the chorus "Kyon Hai Yeh Aarzoo, Kyon Hai Yeh Justajoo...". 

• Notice how Javed Akhar has carefully used Urdu words (pakeeza, qalma, fariste, falak etc.) for the lines that are written for Akbar (who, as we all know, was a muslim), and used Hindi words for the lines that are written for Akbar's hindu princess Jodha (samay as opposed to waqt, kaaya as opposed to jism/badan, prem as opposed to ishq). Kudos to Javed saab!
• This choir based interludes gave me deja-vu feeling and reminded me of the - much milder and mallow - chorus "Donston Se Joothi Moothi" that breaks out in between antaraas of another arr classic: "Chupke Se" from Saathiya.)

There are two instrumental versions in the album, which are quite good (especially the Oboe Instrumental piece). 

Overall, Jodha Akbar is another great album by arr. An instant classic. I have been continuously listening to these songs since last few days, and I can't get enough of it. We had to wait really long for the release of this album, but it was completely worth it!

Having said that, I am not very sure if this is going to work well with the masses or not. Two concerns comes to mind: (1) Some songs (especially two devotional songs) are only for ardent arr fans, and (2) The wonderful Urdu poetry by Javed Akhtar would be difficult for many to understand - and this can hinder the overall catchiness of the songs.

Here's a complete track-list [source]:

Song	Singer(s)
Azeem-O-Shaan Shahenshah	Mohd. Aslam, Bonny Chakravarti & chorus
Jashn-E-Bahaara	Javed Ali
Khwaja Mere Khwaja	A. R. Rahman (Lyrics: Kashif)
In Lamhon Ke Daaman Mein	Sonu Nigam & Madhushree
Mann Mohana	Bela Shende
Jashn-e-Baharaa	Instrumental - Flute
Khwaja Mere Khawaja	Instrumental - Oboe